On 11 September, the 37th Galaxy Awards ceremony and a series of events marking the 20th anniversary of the publication of The Three-Body kicked off in Zigong, Sichuan. At the event, a number of science fiction projects from the fields of literature, publishing, film and television, gaming, cultural tourism and artificial intelligence were unveiled, and several cooperation agreements were signed.
Scene from the Project Signing Ceremony
Following deliberations by the judging panel, the winners of the various categories at the 37th Galaxy Awards were announced at the event. The Best Novel award was left vacant this year. The Best Novella award was shared by Yang Wanqing, Wang Yanzhong and Grey Fox. A particular highlight was the young writer Hua Yanxin, who single-handedly swept the board by winning three major awards: Best Short Story, Best Short-to-Medium-Length Story and Best Newcomer.
The Awards Ceremony
On the day, the Sichuan science fiction industry projects showcased at the event shifted the focus from the works themselves to the broader industrial landscape. At the Sichuan Science Fiction Industry Project Promotion Session, presentations were given in turn on the science fiction lantern display at the 2027 Galaxy Science Fiction Convention, the youth edition of The Three-Body, the Cosmos Channel brand, the Emei Film Group's film "Chronicles of Doomsday Redemption," as well as the AIGC platform and the science fiction film "Star Remains: Awakening." Although these projects span different sectors, they share one common feature: science fiction is forging links with an ever-wider range of industries.
Scene from the Sichuan Science Fiction Industry Project Promotion Event
For Sichuan, following the inclusion of science fiction among its key industries in 2025 and the introduction of a series of support policies, the potential of the science fiction industry has been further unlocked. Centred on literary works, the sector is continuously exploring more innovative ways to integrate with local culture, digital technology and the cultural industries.
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